MATERIALS & CRAFTSMANSHIP

  • What materials are used in your ceramics?
    I blend multiple stoneware clay bodies to create agateware, a natural marbling technique where the swirl of clays forms organic patterns unique to each piece. Every vessel is one-of-a-kind and impossible to duplicate. All glazes and underglazes are lead-free, non-toxic and food safe.

  • What materials are used in your ceramic jewelry?
    Each ceramic component is hand-shaped with Kanthal wire fired directly into the clay, paired with carefully selected metal findings and handwoven glass seed beads for intricate, textural detail. Pieces are finished with Niobium ear wires, the only metal known to be truly hypoallergenic.

  • What kind of glazes do you use?
    I use a variety of underglazes and layered glaze applications to create depth, movement, and surface variation. Each piece is fired to oxidative cone 6, allowing color and texture to develop fully while maintaining durability    .

  • What type of metal do you use in your ceramic jewelry?
    Each ceramic component is hand-shaped with Kanthal wire fired directly into the clay—one of the few metals capable of withstanding kiln temperatures without melting. I pair these elements with metal findings and hand-woven glass seed beads for intricate, textural detail. All earrings are finished with Niobium ear wires, the only metal known to be truly hypoallergenic.

  • What is Kanthal wire, and why do you use it?
    Kanthal is a FeCrAl alloy composed of iron, chromium, and aluminum. When heated, it forms a thin layer that prevents oxidation—ideal for high-temperature kiln firings. I prefer Kanthal over Nichrome because it contains no nickel, reducing the risk of allergic reactions.

  • What other materials do you use?
    Beyond ceramics, I incorporate leather, driftwood, glass, and metal into my mixed-media work. Original paintings are created with acrylic on cradled wood panels, and prints are produced using water-based inks on archival paper.

CERAMIC USE & CARE

  • How should I care for my ceramics?
    All functional pottery is dishwasher, microwave, and oven safe. To prevent thermal shock, avoid extreme temperature changes such as moving a hot piece directly into cold water or a freezer. All glazes are lead-free and food safe.

  • Are your ceramics dishwasher, microwave, and oven safe?
    Yes. My functional ceramics are designed for everyday use and can safely handle modern appliances.

  • How should I care for my ceramic jewelry?
    Ceramic jewelry is strong but should be handled gently. Avoid dropping pieces on hard surfaces. Store separately to prevent scratching and keep dry when not in use.

BUYING & SHIPPING

  • Where can I purchase your work?
    You can purchase directly through my online shop, or in person at Moab Made, Moonflower Co-op, and Gallery Moab. Local studio visits in Moab are available by appointment.

  • Do you offer local pickup?
    Yes. If you’re local to Moab, you can arrange for studio pickup at checkout.

  • How long will my Ceramic order take to ship?
    Each piece is made to order, with a production time of 2-3 weeks. Shipping typically takes 3–5 business days via USPS. Please allow additional time for international orders due to customs processing.

  • What kind of packaging do you use?
    Ceramics are packed securely using recycled materials whenever possible. Each piece is wrapped in compostable peanuts, kraft paper to ensure safe arrival while minimizing environmental impact.

  • Do you take custom orders or commissions?
    Occasionally. Reach out with your idea, and I’ll let you know if it aligns with my current studio schedule.

ORDERS & RETURNS

  • Can I return or exchange my item?
    Because each piece is handmade to order, I cannot accept returns or exchanges. However, if your item arrives damaged or there’s an issue with your order, please contact me right away—I’ll make it right.

  • What if my piece arrives damaged?
    If an item arrives damaged, please send a photo within 48 hours of delivery. I’ll happily offer a refund or replacement at no additional cost.

  • Do you offer local pickup in Moab?
    Yes. Local pickup is available for Moab-area residents. Contact me to arrange a time.

STUDIO & ARTISTIC PROCESS

  • Where is your studio located?
    My studio is located in Moab, Utah, surrounded by the desert landscape that inspires much of my work.

  • How do you make your agateware pottery?
    I begin by blending red, white, and speckled stoneware clays into a single body, forming intricate marbled patterns. Each piece is then thrown or hand-built, carved or slip-trailed, inlaid with underglaze, and finished with multiple glaze layers before being fired to cone 6.

  • What inspires your ceramic designs?
    My work draws inspiration from the geological layers of the desert Southwest, sacred geometry, and the native flora of the region. I explore the harmony between natural forms and functional design—artful tools for artful living

  • How do you create your jewelry from reclaimed clay?
    Scraps from my pottery production are recycled into new clay bodies, shaped by hand, and detailed through carving, stamping, and texture work. After bisque firing, I apply multiple glaze layers and refire to cone 6 before combining the ceramic components with metal and beadwork.

  • What is your firing process?
    I fire my ceramics to oxidative cone 6 (2232°F / 1220°C), with a short hold to enrich glaze development. After firing, I sand the exposed clay surfaces with diamond grit to achieve a smooth, tactile finish.

  • How many collections do you create each year?
    I typically create six to eight bodies of work annually, each exploring new themes, techniques, and materials while refining my craft.

  • How does your painting process influence your ceramic work?
    My digital and painted compositions often serve as pattern studies for glaze and resist techniques on my ceramic surfaces.

ARTWORK & PRINTS

  • What materials do you use for paintings and prints?
    My original paintings are acrylic on cradled wood panel. Prints are produced with water-based inks on archival paper, ensuring colorfastness and longevity. Bandanas and stickers are sourced and printed in the U.S.

  • What themes do you explore in your artwork?
    My visual work explores the intersection of botanical forms, geological structures, and sacred geometry. I’m drawn to the rotational symmetry of native desert flora, and more recently, to interpreting landscape as a woven tapestry of enchantment, where place, pattern, and memory intertwine.

  • How are your digital illustrations and ceramics connected?
    My digital designs evolve from sketches and paintings. I translate these motifs into surface decoration on ceramics, bridging mediums through shared geometry, pattern, and rhythm. I also experiment with creating custom vinyl stencils from digital designs for precise glaze resist and application