MATERIALS
Ceramic pieces are made from a mixture of red, white and speckled stoneware. I use a variety of underglazes and glazes, all of which are lead free.
Any metal hooks which are fired into the clay are made from Kanthal, which is one of the only types of metal that can withstand the heat of a kiln without melting. Kanthal is a FeCrAl alloy. The chemical composition is iron (Fe, 70–80%), chromium (Cr, 20–30%), and aluminum (Al, 4–7%). When heated, aluminum oxides form a protective layer on the surface of the wire that prevents further oxidation. I prefer Kanthal wire over Nichrome (the other high fire wire available) because it does not contain nickel (Ni), which is a common cause of allergic contact dermatitis.
My ear wire are made from 20-gauge Niobium. Niobium (Nb) is a hypoallergenic alternative for people with metal sensitivities. My studs are stainless steel, which can contain trace amounts of nickel. However, it is still considered hypoallergenic.
Original artwork is acrylic on cradled wood panel. Prints are made from water based inks on archival quality paper. Bandanas and stickers are sourced from the US.
Other materials I use include leather, driftwood, and glass.
CERAMICS CARE
Ceramic is a durable material, and all of my functional ware is dishwasher, microwave and oven safe. Please avoid thermal shock, such as taking it out of the oven and putting it in the freezer.
All of the glazes used are lead free and food safe.
WHERE TO BUY?
SHIPPING INFORMATION
You can purchase my work here in my online shop. I also have my work in local shops in Moab, where the selection will vary. Feel free to check it out at Moab Made, Moonflower Coop & Gallery Moab.
If you are local to Moab, feel free to reach out if you are interested in viewing current works at my studio in person.
CERAMICS PROCESS
To achieve visual depth in my surface decoration, I employ a variety of techniques at every stage of the process. I work with a range of stoneware clay bodies, combining them into one clay body which is often referred to as agate ware. This imbues each piece with a unique, impossible-to-duplicate element before I even begin to shape it.
My pots are thrown, thrown and altered, or hand-built. In the leather-hard stage, I use hand-carved stamps and tools to carve patterns for recessed designs, and slip trailing for raised ones.
Once the pots have been bisque-fired, I inlay underglaze into the incised and carved patterns before dipping and brushing on 2 to 3 layers of glaze.
For much of my flatwork trays with a large flat surface are, I use wax and vinyl glaze resist methods, applying multiple layers of glaze to create intricate patterns. These patterns are often derived from my painting process below.
After firing these to cone 6, with a 7 minute hold in an oxidative atmosphere, I sand the exposed clay with diamond sandpaper 100 grit and then 300 grit. Each pot is designed to serve a functional purpose and is compatible with modern appliances.
PAINTING PROCESS
JEWELRY PROCESS
My artwork is an ongoing visual exploration of decorative themes. My childhood was shaped by being raised by an artist and a driller, and the patterns of mineral deposits and erosion found in the geology of the Southwest desert feature prominently in my landscapes. An ongoing obsession with sacred geometry is reflected in the close-ups of native plants, with a recurring theme of rotational symmetry.
During my stint as the Artist in the Parks for Arches National Park, Canyonlands National Park, Natural Bridges and Hovenweep, I began a specific body of work that focused solely on native plants with medicinal qualities. As I delved more deeply into this exploration, and spent hours and hours in the parks over the course of the season, my focus began to shift to a more nuanced perspective of plants as the bridge of human relationship to the places we inhabit. The rocks and geological formations began to feel like a woven tapestry of space.
I use sketching, painting, and printmaking to explore these themes in detail. I often bring the components and layers of each of these techniques together in a digital version of the design. The detailed version is often used for prints, postcards, and stickers, while the simplified digital version often finds its way into my ceramic process above.
I create handcrafted jewelry using a variety of techniques, starting with recycled clay scraps from my pottery production. This process results in a unique, one-of-a-kind material made from a blend of different clay bodies. I shape each piece by hand, adding texture and detail through carving, stamping, and impressing.
After bisque firing, I apply 2-3 layers of lead-free glaze, building depth and richness of color. Once glazed, I fire the pieces again to cone 6 (approximately 2232°F / 1220°C) for vitrification. I then combine the ceramic elements with metal chains, findings, leather, and beadwork to complete each piece.
By carefully considering scale and wearability, I ensure that every piece is lightweight, distinctive, and tactile—blending the artistry of ceramics with the personal expression of adornment.
ORDERS & RETURNS
SHOP UPDATES
PAYMENT DETAILS
Everything is made to order just for you! Production time is 2-3 weeks, so please plan accordingly! Shipping generally takes 3-5 business days, but I cannot guarantee delivery dates. Local pickup is available in the Moab area.
Because everything is made to order, I cannot accept returns or exchanges. However, if there is a problem with your order, please let me know and I’ll make it right!
I update my online shop as often as I can, but when I'm busy in the studio making new work, working craft shows, or stocking the local galleries, the shop is often sold out. My web shop is updated infrequently when I am participating at in person events.
Unable to make it to an in person event? Feel free to contact me about available inventory.
Payment is due upon purchase.
Shipping is provided by USPS. All products are in stock and ready for shipping unless otherwise noted on item description. Shipping ceramics requires a lot of "cushioning.” I use bubble wrap and packing paper in sturdy boxes. I use recycled material when possible in an attempt to conserve the planet. If your item is in stock, your package will be mailed within 3 days of receiving payment.
Please note that once package is shipped I am no longer in control of arrival times. If you are experiencing a delay please contact your local post office.
Please note that if you are an international buyer shipping can take up to 6 weeks. Customs may open or hold your package without notice. Contact your customs office for more details.
If upon receiving your purchase the item is damaged, contact me immediately. Send me a picture of the item and I will refund your purchase or remake your item for you free of cost.
REFUNDS AND EXCHANGES
Each item is one-of-a-kind. Making art takes time and care. I do my very best to provide you with the most beautiful, best quality work possible. Also, I am a one-woman-show.
All sales are final. I hope you’ll be happy with your purchase. If you are not satisfied please let me know immediately, and we will work together to make things right. If you have any doubt or question about an item let me know before your purchase and I’ll be happy to clarify.
JEWELRY CARE
Ceramic is a durable material, but it can break if handled roughly. Please avoid dropping it, placing it in the bottom of a bag, or letting it come into contact with hard surfaces.
Metals may develop a natural patina over time. If you'd like to restore its shine, a small amount of lemon juice, vinegar, or a sunshine polishing cloth (available online) works well.
Studs and rings are securely glued to the ceramic, but exposure to water or humidity can weaken the adhesive over time. To preserve your piece, keep it dry. If a repair is needed, I recommend using clear Gorilla Glue (not super glue) or a high-quality epoxy.